I Believe

Out May 1st

“I Believe” brings a soulful ballad feel with a subtle country twang, centering on the quiet certainty that someone has found the one person meant for them. Written by Poogie Bell, the song balances warmth, restraint, and heartfelt directness, allowing the emotion to land without overstatement. Instead of reaching for drama, it settles into something steadier and more enduring — the feeling of loving someone so completely that belief itself becomes the song’s emotional center. On We Are Just Human, it stands out as one of the record’s most tender and affirming moments.

Come Close To Me

“Come Close to Me” feels like a quiet invitation — soulful grooves and smooth melodies drawing the listener into uncommon intimacy. Featuring Marcus Miller, the late Dean Brown, and production by Poogie Bell, the track moves with warmth, restraint, and rich rhythmic detail. As a standout from the forthcoming album We Are Just Human, it introduces Kenny Peagler’s singer-songwriter voice with grace and confidence.

Time Machine

Kenny Peagler opens “Time Machine” with a question that doesn’t resolve so much as expand. Built around his piano and carried by his own vocals, the song moves through regret and reconsideration without settling into either — its groove unhurried, its emotional weight carefully held. At the bridge, the stakes sharpen: “If we could go back in time, take our wrongs and make them right — would we focus on the past or on something built to last?” It’s the kind of lyric that reframes everything before it. A first glimpse of the forthcoming album We Are Just Human, “Time Machine” signals what Peagler has been quietly building toward: a songwriter’s voice as considered and precise as his playing, asking the kinds of questions that stay with you long after the song ends.

Lush Life

The Music of Billy Strayhorn

Lush Life: The Music of Billy Strayhorn finds Kenny Peagler in his most distilled form — alone at the piano, in direct conversation with one of the most sophisticated composers in the American canon. Rather than treating Strayhorn’s work as repertoire to be revisited, Peagler approaches it as living material, revealing new dimensions of harmony, pacing, and emotional depth in each piece.

With a touch that balances clarity and lyricism, he reshapes familiar melodies into intimate, unguarded statements. The performances are not nostalgic or ornamental; they are searching, patient, and attentive to the architecture beneath the surface. Silence, space, and phrasing become as expressive as the notes themselves.

The result honors Strayhorn’s legacy while quietly asserting Peagler’s own voice — one rooted in tradition, yet unafraid to linger, question, and reimagine. It is less a tribute than a conversation across time, rendered with elegance, restraint, and intention.

Slightly tighter option

Lush Life: The Music of Billy Strayhorn finds Kenny Peagler at his most distilled — alone at the piano, in direct conversation with one of the great composers of the American canon. Rather than revisiting Strayhorn as repertoire, Peagler treats the music as living material, uncovering new harmonic, rhythmic, and emotional details in each piece.

His touch balances clarity and lyricism, turning familiar melodies into intimate statements. The performances are searching and patient, with silence, space, and phrasing carrying as much meaning as the notes. The result is a recording that honors Strayhorn while revealing Peagler’s own voice with quiet confidence.